November 24, 2014 § Leave a comment
There is an exhibition at the Carnegie Museum of Art called Maggie’s Centres: A Blueprint for Cancer Care. I wrote a review of the exhibit for AIA Pittsburgh and you should read it. There is some drama about this article that I will talk about later once it all gets sorted out. Until then, I guess I’m just giving you a homework assignment.
While you’re reading about Maggie’s Centres, you should also check out the companion piece written by fellow Pittsburgh blogger Vince DeFazio. His article deals more with the lecture by Charles Jencks and our articles complement each other nicely. Check out his blog, too. Why not. It’s almost Thanksgiving, we’ve all got time to read.
And the last little bit of news I have to share is that I was recently re-elected to the position of Secretary of the Young Architects Forum. I also expect to take on the additional responsibility of serving on the AIA Board. I’m excited to see what I can do there, so hopefully I’ll have more to say on that after the first board meeting in January.
I need a new headshot.
November 16, 2014 § Leave a comment
I used to think that I did too much of this feature, so I was surprised to see that it’s been a year since I last filled you in on what I was reading. I wasn’t as voracious over the summer as I sometimes am, but I did pick up a few books towards the end there and have been working through them. Here are the ones at the top of the stack.
Flight, Volume One
This book features 23 short comics by 21 artists, all organized around the idea of Flight. It’s interesting to see all of the ways that the artists interpret that idea. Birds are common, so are planes and other flying contraptions, but there’s an angel, too, and some animals that are typically less air-worthy (like a whale). The array of styles is radically diverse as well, ranging from the traditional three-panel lines to surreal collages, from noir tales dense with text to stories told entirely through drawings. I Wish, Formidable, and Beneath the Leaves: Jump are standouts, but they’re all worth a look.
Kicked a Building Lately?
I want to get better at being a real-life writer, so to that end I want to start reading more work by actual critics. Ada Louise Huxtable is one of the best of those actual critics. I was first introduced to her work in a Design Observer article titled “How to Be an Architecture Critic”. I’m only coming to her work now, but she’s been writing since the 1950’s, writing all the way up until her recent death. She’s well known in architecture for being the first architecture critic for the New York Times, where she won a Pulitzer for her 1969 works. She’s well known in popular culture for being a recurring character on The Cosby Show. Or maybe that was a different Huxtable. Either way, she was amazing, and her writing still resonates: Building by the System, written in 1973, sounds like it could have been written last week.
How To Be Black
I grew up in a community that was 100% white, so I was exposed to 0% of black culture as a kid. Needless to say, it was a huge shock I went got to architecture school where I was immersed in it. o wait. I have the same kind of cognitive dissonance with racism that I do with sexism, which is that I don’t consider myself a racist or a sexist, but then the more I learn, the more I notice how much racism and sexism is woven into our cultural fabric. And then I just get paralyzed, because if such and such a word is racist and such and such a pop culture reference is also racist, well, I might as well not say anything. For example, I’m pretty sure someone will call me a racist for using the phrase “black culture”. Luckily we have comment section below where, as in all comment sections, people can rationally discuss issues of race without fear of judgement. o wait.
So anyway, I did what any insecure white liberal confronted with a thorny complicated issue would do: I read a book. This one was by Baratunde Thurston. It was more of an autobiography than I expected, but including details of his life experience was crucial to making the point that the “black experience” is not just one experience. And there’s plenty of the social commentary that I was looking for, too. The book is worth buying just for the last two chapters and the afterward.
One More Thing: Stories and Other Stories.
^ Obligatory short story collection. I really enjoyed this one. All of the longer stories are very good. The short ones (often very short) didn’t always land with me. I think that was because they deal with more specific experiences and I couldn’t relate to all of them. That never really bothered me because I could always read 2 or 3 more and end up on a high note. It lives up to my expectation for it to be smart, funny, and occasionally dirty while surprising me by being emotional at times. Sophia covers all of that ground, so give that one a read if you’re not convinced by the hype for this book.
I have a bunch more on the stack, so I’m sure it won’t be a year before the next post. If you have anything I should add, tell me in the comments. It’s almost time to start shopping for a certain holiday, after all …
November 3, 2014 § 1 Comment
My updates have been a little less regular than usual. I’ve been doing a lot of reading (more on that later) and writing (more on that later). I’ve also been working to turn my basement from this:
As you can see, I’ve taken all the opaque finishes off of the powder room walls and moved the toilet into the living area as a commentary on the illusion of privacy in the modern (digital) age. I’ve turned the sink into a piece of functional sculpture, with a wink and a nod to Marcel Duchamp. I’ve removed the bar because I’ll sip no more the devil’s drink, nor will any person in my charge.
lol jk, that’s just the demo. I want to re-use as much of the existing framing as possible (which is why the walls are still there), but other than that all of the demo is done. Expect a few more updates on this between now and the expected occupancy date (New Year’s Eve). I’ll try to only post about the renovation when there are interesting things to post about but I make no guarantees.
P.S.: Check back soon, I hope to have an exciting announcement later in the week.
October 22, 2014 § Leave a comment
In case you missed it on Monday, there’s a new podcast up all about the 48 Hour Horror Film Project. In case you’re confused, the films took 48 hours to make, they aren’t 48 hours long. So you can see all 18 of them in just a few hours this Saturday. Details:
And as always, subscribe to the podcast on iTunes (link opens in iTunes)
Someday there will be a not-podcast-related post on here.
October 16, 2014 § Leave a comment
Midway through October I celebrate both my birthday and my anniversary so I’ve been off schedule this week. I promise to be back to our regularly scheduled programming on Monday (spoiler alert: it’s another podcast update), but I also wanted to make the minor announcement that my blog recently passed the 10,000 pageviews mark.
So thank you to all my regular readers who make that possible, I love writing for you all and I guess you all at least pretend to like reading it. And even if you hate reading it, hate-reading is still reading! Thanks again, see you Monday!
October 7, 2014 § Leave a comment
There’s a new show up over at my other website, dipodcast.com
It’s not completely unrelated! One of the interviews is talking with a woman with some insight into the wild gardens of the Carrie Furnace.
Head over there for some more exclusive pictures and of course, some great chats with the local creative types, like Addy Smith-Reiman, Freddie Croce, Julie Mallis and Nikki Dy-Liacco.
And I know you’re already planning on being there, but if you don’t know about PKN:
PKN vol. 19 takes place on October 9 at 6:20 pm at the Pittsburgh Cultural Trust Center, 805 Liberty Ave in Downtown Pittsburgh. Admission is $15 and includes, drinks, eats, and entertainment. Presenters get 20 slides, 20 seconds per slide, to present a project or an idea. It’s a great time and you really ought to come down.
And subscribe to my podcast on iTunes (link opens in iTunes), I’m really proud of it and I think you’ll like it.
September 29, 2014 § 1 Comment
Usually, when blessed with good weather, I end up squandering it inside playing World of Tanks. But every now and then I manage to get out and enjoy it, as was the case this weekend when I went out to take a tour of the Carrie Furnaces with some young architects. The tour was 2 hours long and I only brought a camera, not a notebook, so I don’t remember everything about what you’ll see here. I’ll chime in with the facts I remember which will sound like real facts, and then I’ll just make some stuff up which will be marked with an asterisk. All of the images can be clicked on and enlarged.
The tour starts in a big warehouse space where they give you some background on the site. Up there is the site plan, which shows the site at its height overlaid by what remains now. There are now just two furnaces remaining, Carrie 6 and Carrie 7, named for singer Carrie Underwood.* The furnaces here, built by the Fownes brothers in 1881, made iron, not steel. Business was good for nearly 20 years before the iron business at this site began to falter. In 1898 Andrew Carnegie sensed an opportunity to vertically integrate the iron produced here with the steel he was producing in Homestead. He made the Fownes brothers an offer on the furnaces and they took the money and ran, straight to Oakmont where they founded the Oakmont Country Club.
Carnegie went to work bringing rail lines to the site which would bring the train-loads of iron ore, coke and limestone to feed the endless appetites of the furnaces. The raw materials were stored in great heaps in the yard above before being brought up that tilted elevator 3 and 4 tons at a time.
Originally all the unloading was done by hand, meaning workers with shovels emptied both the train cars and the buckets at the top of that elevator. Imagine standing at the top, staring down into the belly of the furnace, shoveling tons of iron-food into the open mouth as the February winds pull at your clothes.
You could work, quit, or die. Many did the latter.
I regret not asking if there were any ghosts that haunted the site.
Eventually there were improvements to the furnaces that did things like invert the rail cars to dramatically speed up the process of unloading material. The picture above is part of that machinery. There were still dangerous jobs to be done inside the furnace, though.
There was no button to be pressed or switch to be pulled if you wanted to switch between which furnace was being fired. You had to manually pull that chain (low in the image and slightly to the left), exposing yourself to the hot toxic breath of the furnaces. Carbon monoxide could silently overtake you, leaving it up to your spotter to drag your lifeless body out of danger and sound the gas rescue alarm.
Before there were unions to protect workers injured workers were simply written up, resulting in suspensions and termination of employment. Here are some other warnings and signs from the tour:
Once fired in the furnace, the molten iron was spilled out onto the casting floor (not pictured). Workers here stood over 1,600 degree metal in asbestos suits and used hand tools to separate the slag from the useful metal, which then flowed through sand-lined troughs into “torpedo cars”.
As I mentioned before, Carnegie needed the iron made here to turn into steel at his plant across the river. These torpedo cars, loaded with 150 tons of molten iron, trundled across the hot metal bridge three to a train, where they were tipped over (to the position above) and emptied into the plants on the other side of the river.
Today, middle schoolers visit the the torpedo cars for life-size re-enactments of the Miracle of Life.*
The iron-making process above went largely unchanged until 1978. Falling demand for steel brought the industry to its knees and continuous casting (a more efficient way of manufacturing steel) dealt the death blow. The tens of thousands of workers at this site alone were cast out, joining the rest of the workers in the valley to scatter across the country in search of the few remaining jobs in the steel industry. Pittsburgh wheezed through smog and withered betwee its poisoned rivers for decades.
Over time, Pittsburgh healed and adapted. Clean air and rivers brought clean industries such as healthcare and technology. In its eagerness to move on and reclaim the waterways Pittsburgh razed many industrial sites like this. But the Carrie Furnaces still stand not only as monument and reminder but, through collaborations between the site stewards and local artists, it also stands as a living laboratory for the art community that grows out of Pittsburgh’s industrial cracks. There’s the famous Carrie Deer …
… as well as smaller sculptural installations …
… and the graffiti commissioned for the long low brick walls:
That’s it for the tour, but I want to thank our knowledgeable and enthusiastic tour guide, Mr. Doug Styles. This was a guy who had spent some time working in a mill himself, and he had true passion and love for the history of steel making. You could hear the sadness in his voice as his story of the decline of manufacturing in the Mon valley echoed through the empty halls, and I heard some real resentment just behind his teeth as he recounted the checkered biographies of Carnegie and Frick.
He also beat boxes at the semi-annual, semi-illegal Carrie Furnace Raves under his stage name, Doug E. Styles, often partnering with legendary MC Slick Frick.* You’re the man, Doug.
If you want to take a tour of your own, check the dates here and bring $25 for each adult and $15 for each child. There might be tax, I forget. You can also take a Photo Safari and an Urban Art Tour which sound awesome. You get to make your own graffito on the Urban Art Tour, how cool is that?